Chocolate and Wonderland and On!

I had to go and check my blog to see what I had and hadn't posted, and found that I just hadn't posted. UGH! Well, I have actually gotten some art done, so let me hit that right now!

The first painting I completed for 2019 is one that I had been dragging my heels on for a while. I have been wanting to close out Alice for a long time, but I had a special collector who wanted two last pieces done. The biggie is Queen Alice:

Queen Alice, 18x24, acrylic on stretched canvas. (sold)

 And then a small little piece for her collection of the drink and cakes from Wonderland. Forgive the photo, I only snapped this one with my phone - I don't know why I didn't get a proper scan - but perhaps it was because I knew I wasn't going to offer prints of it or anything, and it was just quickly on its way to its owner:

Drink me/Eat me, 8x10, acrylic on stretched canvas

 The reason I found this one so hard was because in order for it to fit the collection, I needed to paint in my old style. But artists evolve, and I definitely have. Here is most of the Alice series I did (missing only a couple little pieces):

 My figures changed, my colors changed, etc. I didn't realize how MUCH until I was working on Queen Alice, and I just found it so hard to switch back. Still, I was happy to complete this series and leave Alice behind!

My next deadline was for a group show and the theme was "children's story reimagined". I chose the 12 Dancing Princesses. My take on it was that the princesses were often portrayed as unfeeling and awful creatures delighting in tricking everyone while they danced the night away. BUT... how happy and delighted would YOU be to be forced to dance every night, ALL night, until you had worn clean through your brand new dancing shoes?

People, there is no amount of coffee in the world that would help that situation. So, I painted five of them (because 12 in one painting looks more like a pile-up at a football game) quite exhausted, in the underground jeweled forest:

"After the Dance" 14x18, acrylic on stretched canvas. (sold, prints available)

I think it's clear that my Alice painting mind-set had a bit of influence over this piece. Somewhere in between my old style and my current one.

I then was free of obligations, having said no to commissions and such so I could clear the decks, my mind, whatever else, and just PAINT for a while. It was around Valentine's Day, so I painted some small chocolates:

"Chocolates and Strawberries" 4x6 inches, acrylic on canvas panel. Available

"Truffles" 4x6 inches, acrylic on canvas panel. Available

I knew from years past that I enjoy painting chocolate. It's so easy to make them look real (when they're square. The truffles were a nightmare.) However, I had such awful cravings! I ate boxes and boxes of strawberries after the top one. I also went out and bought a ton of clearance Valentine's Day chocolate to take my own reference photos (these were referenced from Pixabay.)

Do you know what multiple pounds of chocolate smells like under studio lights when you're snapping pictures? I think I gained five pounds just because of the aroma. Good grief!

Yeah, and then I ate them. *head*desk* Not helping me lose the 20lbs I have gained since I moved back to Vermont! Although, I feel like I could kinda get away with the strawberries. They're healthy! Oh sure, I know, I know... moderation is the key. *dramatic sigh*

I really liked painting the chocolates, and I have good reference photos, but I realized I'm kind of in the mood to do more still-lifes, so I bought some other produce and used some left over wine, and snapped a bunch of photos I plan on using soon as well. I've been thinking about that though.

While I am enjoying doing basic still-life paintings, I want to add a few elements that make them more *me*, and not just any old still-life. If you have any suggestions, let me know! At the moment, I'm contemplating small animals (Duckling? Bunny? I thought of a mouse, but people get freaked out by mice by food, so maybe not. Chipmunk, maybe?)

Lastly, this week I finished this piece:

"Tempus" 11x14, acrylic on gallery deep wooden panel

I started this piece while staying in a hotel room during a family crisis a year ago. I set it aside and occasionally worked on it, but I never had a good vision with it. Over the last week, I picked it back up again and finally settled on this. It's strange that I finished it a year later, and being able to reflect on my life then and now. I won't say everything is better, because it's not. Life is forever changed.

But I'm here. Time did pass. Things have changed. And that means something!

Moving forward, I'm hoping to start producing more. But then, that's always my goal! PAINT FASTER!!! And better. Always trying to improve my techniques! I need to switch back over into my oils, but I think I've been waiting on the warmer weather so I can have the windows open.

Oh, lastly, I turned 44 in February.

That's me, on my birthday, just like I do every year. Next year, if life is good to me and my family and they're healthy and I am too, I should be an "empty nester". It'll be an interesting phase in my life! Gotta get there first, though!

Off to paint! I think I'm in the mood for landscape experimentation at the moment!

New Directions

It's Tuesday and my youngest (17 yrs) is off taking his first of two finals in high school, so by the end of Thursday I will have a high school senior on my hands (which I am extremely grateful for, because it's been a very difficult year)! One more year and then he'll hopefully be off to college (wants to be a programmer) and I'll be an Empty Nester!

An Empty Nester at 44 (I'm 43 now), and yet I saw on the news that more and more women are choosing to have babies in their 50's. I cannot even imagine doing that, I'm so exhausted now as it is. I remember existing in a fog in my 20's because of baby-duty, but at least I had the energy of being young. I didn't think I actually had energy at the time, but looking back now I can see that I did. Sort of like a zombie shuffling forward on autopilot. (I think if I had kids now, my autopilot would just give up.)

My eldest turned 20 years old this past weekend. She finished up her second year at university in May, and then decided that's enough for now and that her path lies in another direction. For me, this was a bit hard to wrap my brain around. Isn't it funny how you want to give your kids what you didn't have and if it turns out it's not for them it can really set you back several paces? But the truth that every parent has to grasp is that they are not you and they have their own path to follow... you just hope it doesn't end up with them living in your basement until they're 40 (because apparently that is a thing now, too!)

My own direction is shifting quickly. I still cannot share everything, but I'm hoping it'll be very positive for everyone - albeit stressful! My hope is that I can  start to really do some productive things in my studio. I feel left behind because I have been meaning to get a Patreon going for over two years now, among other things, but life has gotten in the way.

However, there have been some positive signs - glimmers of hope - that lead me to believe I can start investing in myself again, and my work. That being said, I have two new series that I have started. One is going to be all larger paintings (16x20" and up... I have some really big canvases, so who knows where this will end up) and the other will be smaller paintings (8x10" and under.) They are unrelated series, but both make my soul sing just enough to know THIS is what I want to be doing right now and I want to be in my studio all the time again.

The big series is in planning stages still. I have the first painting planned out, but not sketched out. I'm excited to work on it, but I have other commissions, shows and various deadlines to meet before I can start in on it. I'm looking forward to sharing it, though!

The smaller painting series is much easier for me to dive into in between projects, and here is the first:

"The Time Keeper" 6x8 inches, acrylic on canvas panel. Available.

The series is "My Favorite Things", and each painting will be 8x10 and smaller, with a subject posing with its most favorite thing! I painted this Great Grey Owl, and my son informed me that this one's favorite thing was most definitely a pocket watch! Once he said it, I knew my son was absolutely spot-on! I've called this painting "The Time Keeper", and he's in a special section of my shop just for this series.

I thought about holding the paintings back and doing a show, but there are reasons why I can't do that right now... that I'll share later. But perhaps the larger series will be one I can do a full physical show with!

My goal is going to be to hopefully paint one of these Favorite Things pieces a week, whenever possible. I'm not sure how many paintings my series will encompass, but I think I'll know when I'm done. As I am just starting, I believe I have a long way in front of me! If you have any particular animal you'd like to see, let me know! I love getting ideas, but I have no idea what their favorite thing will be until I've painted them in... they're all so individual! For example, I've painted multiple raccoons (and I will do at least one for this series) and I have to say I don't think a single one of them would have the same favorite thing.

It's so nice to find the joy in my studio again!

...Off to paint!

In The Quiet

It's the end of May, and I fear I have little to show for 2018 in my studio thus far, but I have recently begun painting again and have a few pieces to show. The one I like the best, I just finished last week and it's off to La Bodega gallery in CA for a "Spirit Animal" show in early June:

"Rae" 8x10, Acrylic on Canvas Panel

It's funny, really, because I felt I wasn't going to meet my deadline. I also felt that even if I did, it wasn't going to be very good. In the middle, it felt like nothing was coming together, and then... it just did. I actually LOVE this painting. Love it!

What tripped me up, as it did with the little nudes earlier this year, is that I put in a colorful background and it was just wrong - WRONG! I had to use Payne's Grey and Unbleached Titanium to flip it to more neutral/earthy tones, and then I was able to move forward. It seems my personal art evolution is leading me to a more grounded background/subject, but with color pops in other areas, whereas before it was color all over the place.

It's not a conscious thing, rather more like a personal subconscious drive and new preference that brings me here. Even without actively painting like I wish I had been able to, I have evolved. Art is so much more than what we put down on canvas/paper, so much exists on the inside, but it's hard to explain that to someone if they haven't experienced it (and it sounds fruit-loopy, too. For an analytical sort like me, that's a bit annoying. I hate when I sound fruity!)

I also learned that I have to paint the eyes in a painting as soon as I can, so I can connect with it. Otherwise, I feel like I am fumbling in the dark. It's strange, kind of a mind game I suppose, but it's these landmarks and preferences that help me go in the right direction with my painting rather than fighting it (in other words, I need to get out of my own way and do the things that help me paint, and I should know better than to try to do it differently.)

Here are the only others I have managed (and most of them are recent, it's been a long slog in real life which led to no time in studio-life):

Parrot study, 4x6 inches, acrylic on canvas panel Available

Raccoon, 4x6 inches, acrylic on canvas panel (sold)

"Party Crashers" 8x10, acrylic on canvas panel, framed, available (on show currently at Thumbprint Gallery, CA)

Now, about the quiet. I've been silent, and it's because my life blew up again as I stated in my last post. Not me, personally, but people more dear to me than any other on this earth. Life or death, without exaggeration.

I wish I could explain what is going on, but due to our society's pattern of shaming, stigmatizing, harming, and subsequently silencing... I can't. In order to protect, I cannot share, and that leaves me all alone. I have written, and deleted what it has been like. I have written, and deleted what I have felt and feared. It's not my tale to tell, not really.

And if one more person tells me to "paint the feelings" as a way to manage the stress of it all, I may give them a black eye. Or two. Perhaps the issue lies in the fact that it is not my angst that I would paint, but the suffering of another experienced from the outside - and that is what silences me more than anything else in the studio. Art is a place of joy for me, and when there is no joy I cannot create art. Art does not come from active fear, for me. Maybe painters of old were able to lock themselves away and explore their angst in paint, but in my dynamic circumstances I have neither the desire, irresponsible nature, nor the ability to shut everything else out and "just paint."

So, instead there has simply been quiet. I watched my paint dry up on my pallets. Heck, MOLD grew on one (the ever-wet pallet? Yeah, distilled water didn't stop that from happening. So, there's one marketing claim debunked.) Dust gathered on my easels. I missed deadlines and commitments, and I was embarrassed. I began to wonder if I even could paint anymore.

A little bit of hope worked its way in with some changes (that I yet again cannot mention), and as soon as the glimmer was there, I was able to at least go sit in my studio for a few minutes here and there. I've held onto that little light, and I'm working on making it grow. That nurturing of hope is what yielded these few paintings. I have more in progress now.

My Owl painting, Rae, is what really made me feel better. That made me think that maybe I haven't forgotten everything, or maybe I actually have something of worth as an artist still... You start to doubt everything, especially when you aren't painting and you see all your peers posting more and more work while you post nothing. You are effectively left behind, even if that's not true - art does not leave people behind. (But sometimes, oftentimes, it feels that way.)

I am currently in the midst of trying to cling to the glimmers of hope, trying to be more than barely existing, and some big changes coming soon (that I will be able to talk about, but not quite yet.) I am in my studio now, and I will be painting in a few minutes. Little paintings right now, because I can finish them and give myself a small sense of accomplishment. I need that right now. I feel like it's the starting walk, that leads to a slow jog, then a fast one, and then a run in my studio. I want to run again!

So that's where I have been. That is the quiet I am living in. I have probably said more than I should have in this post, and yet left it vague enough to be irritating (sorry about both.) I hope to have a lot more positive things to share in the future!

Matters of the Body

Today I bit the bullet and scheduled all the doctor exams I needed to. Apparently, from moving, all my appointments are condensed into one area of time. I used to have things spread out... eyes in May, girlie doctor in March, etc. Now? It's all at once! It's like a giant influx in my mailbox screaming "You're getting OLD! It's time to feel bad about yourself! Come on down, schedule an appointment!"

Ugh.

On the other hand, I'm kind of looking forward to my eye appointment. I used to have amazing eyesight. I mean, fighter pilot AMAZING type eyesight. Now? I have no idea where it went, but it's totally not fair. I'm having to hold books farther and farther away. The magnifying glasses I got for close-up work have become my go-to, even though they're stronger than what I need, because I need something.

I had an appointment last February, but they did a poor job of helping me. As my eyes have gotten worse over the last six months I've just been counting the days until I could get someone to help me (my eyes aren't equal, so those store reading glasses give me a headache.) I have a new office picked out and scheduled. YAY! There's nothing quite like being in a poor situation to make you look forward to a doctor's visit you would otherwise dread.

I hate to think what would have to happen to make me look forward to the gynecologist. Maybe I'll just embrace my dread of that and be grateful. This is, of course, hard to do. It's bad enough in a doctor's office when they weigh you, but getting to be naked too? Yeah. Joy.

Speaking of body, it seems like any complaint you could possibly have (minus maybe eye sight) it always goes back to "Well, lose weight." I have this list of things that I'm going to push on once I get the rest of the weight off and say "See, I did. Now this is still a mess, what can we do?" I mean, how many things are supposed to hurt, what's normal for being in your 40's anyway?

I need a manual. They should have a manual like they do for kids. The pediatrician used to hand you a sheet that said "Your child: 18-24 months" and it had all sorts of data, what's normal, what's not, etc. Why did they stop that? I need one.

In other news, I finished my first piece for 2017. I have a lot in progress, but this sucker is actually done:

"In The Pink" 8x10, oil on stretched canvas (available)

I had to do a piece "inspired by a song" for a group auction. I had a whole other piece in the works, but I was forcing it. Then, the son "Dear Jessie" by Madonna just popped into my head (https://m.youtube.com/watch?v=EGYmN-1UQzI) I knew I had to switch tracks, because I felt a lot more inspired about pink elephants than I did about my other piece.

So, I worked furiously on this one, and got it turned around quickly. Lots of work, for what seems like a simply piece. But, you know... pink elephants. Totally worth it.

Hope you are all having a good week! Is it Wednesday? Wow, already?!

Back to the Art-side

A long absence has certainly given me a lot to share, both personally and art-wise! I'm going to go a bit lighter today.

As it's December, I thought I would share my official 2016 Holiday painting (this is a different painting that I create each year with the intent to release as a holiday card for myself and others to order, etc.) I got my neighbor's daughter to be my model, and I actually think it turned out rather well:

"Sequor" (original is sold, prints and LE canvas prints available)
11x14 Oil on Canvas Panel

I was happy I completed this painting this year, as I sort of failed that goal last year what with only moving into the house in October and not being settled at all. This year, my studio is set-up very nicely. In fact, I recently was able to attend Art of the Carolinas for the first time ever! I didn't participate in any workshops, but the art supply trade show is a DREAM.

I was able to get my hands on all sorts of things at a huge discount. One of the people there told me that many artists save up all year and then do all their buying at the show. I can see why, and I'll likely start doing that myself. 

I was able to purchase HUGE canvas panels for the first time ever. I always had to order stuff in Vermont and the shipping was often the same or more than the panel, and the panel was pricey too so I never went for a big one! At the show I was able to get canvases over 60 inches for less than $60. If you know your canvas, you know that's a big savings! I was giddy at the trade show! I even got a new easel. It's an art supply wonderland for me!

My poor husband endured it pretty well. I figure it's payback for all that time spent in fishing stores, or in the home improvement stores when he's "just browsing" and I get to the point where I'm eyeing the stacks of plywood and thinking "I could nap on that, right? No one would notice..."

I was also able to paw through wood panels. I have started painting on these now and again. I'm kind of on the fence with them. The ones I had were plate-smooth and this actually made it hard to paint on. I felt like the paint was slipping off, and this surprised me because I often feel like I'm fighting the tooth of normal canvases. Still, I got this one to turn out when others had failed me (or I failed them):

"Sunset" 5x7x1" oil on cradled wooden panel, available

I found some gessoed panels at the show that actually had some texture to them, and I'm going to try them and see how they work. I like the idea of painting on wood, but I have a lot of canvas to use up if that's the way I go. I also, a few months ago, found gesso (Prima) that reduces the tooth without sanding and this was a huge find for me.

Let's see. More art that has happened, and has started me really thinking about my studio and my direction:

I painted "Dawn" on a black ground, and this was a new experience for me. One that I really liked, and intend to explore more. It took me longer than necessary because I was new to it, but here is a time-lapse I shot on my phone of the painting:

This is one of the paintings that has got me thinking about my studio and "voice" which I'll touch on in another post. Until then, here is more art from this year that I haven't shared:

I just finished "Ringmaster" on 12/1. I had to turn him around in about 24 hours. I'm pleased with how he turned out! He's another little one: 5x7" oil on canvas panel.

Envy, oil on 6x6 canvas panel (available)

I have been playing with abstracts again:

"Stardust" is a large piece at 24x36x1.5, acrylic/silver leafing/gems on stretched canvas (available)

"Lark" is 9x12, acrylic/gold leafing on stretched canvas (framed, 14x17, available)

Didn't name this one, but same dimensions and info except I used silver leafing (sold)

I've completed other paintings, but that's probably enough for now. And honestly, I haven't been creating a lot this year. I know I originally had this huge plan, but I will say that I failed that. I've been thinking a lot about why, but that is for yet another day!

Hello?

Every time I see "Hello" I hear Adele's song. Does anyone else have that problem? I blame my daughter for that, playing it incessantly this year while she was here and every time she visits.

I have to say, I don't know why photos from earlier posts are vanishing? I'm not going to go back and re-add them, it's just too much work. Maybe they'll show up again eventually?

You may have noticed that I disappeared for a while. I even deleted my blog there for a bit. Fortunately, blogger hangs onto it for a period of time so you can change your mind. I did, but then I still didn't post.

So much has been going on, and so little at the same time. I'm not sure if I did any clearing of my blog before I deleted it or not, so I'm not sure if I posted about life changes. As I have a draft in my folder, but it doesn't look like it was posted, I'll just assume I never said anything at all from May onward. 

I have a lot to say (and art to share), so this is going to take a few posts over the next week or two. Some might not seem art-related, but my life affects my art, so it really is!

There were big changes in my world, because my daughter graduated from High School and went off to college:

My daughter, on Graduation Day from High School

My daughter, in a painting I did of her this year. 9x12 inches, oil on stretched canvas.
(This one, I didn't sell. I have it on my wall.)

I now have an 18-year-old daughter, in college. An adult. This is a very strange marker to cross. I'm having a lot of thoughts, still, along the lines of "How did I get here?!" 

My youngest just turned 16 about a week ago. I have so little time left with "kids", and an unknown stretch in front of me with "adult children".  Also, my daughter felt it was a good time to mention that I could be a grandma in a few years. So, SO not helpful. I mean, I'll be a good grandma I think, but in my head I'm somewhere between 16-22 years old. I know I'm 41 logically... but I'm not on the inside. 

Facing this family phase of my life being over is proving unbelievably difficult for me. I suddenly understand why some people start over with more kids. Technically, I started my family at 23, so it wasn't that early. Yet, my peers/friends, people my age are actually just starting their families NOW. 

I know of very few friends who are in my position, and I know of so many who had a baby this year or a year or two past. Their houses are filled with that young laughter and energy. Mine has become remarkably changed. I noticed it when we had a neighborhood gathering here and I realized my house isn't kid-safe and it's boring for children. No more toys in any rooms or on floors (upside; no Lego's to step on at 2AM and almost die, so silver lining! Wait, is that why they call it a "silver" lining?)

I have a grown-up house now. Yikes!

We moved from Vermont to this house in North Carolina (over that long and horrible process) and we've only been here just over a year. When we moved, we purged a lot of old things. Old furniture (that it was safe to spill stuff on because after 14 years we weren't even sure WHAT color the couches were anymore), scratched and broken tables, toys that hadn't been played with in years, and so on. We got to buy new furniture here and we picked out stuff that went with the new house and our lives now. But it's grown-up stuff, most especially because the interior of the house is different... colder. It's not that we don't like it, but it's just, well, very adult-like instead of family-kids-like.

Having a child become an adult and seeing this phase of my life coming to a close is a difficult thing to face. Life really IS short. It seems so long when you're young, but it's not. 

Oh, and we're definitely not starting over with more kids. I can barely handle my husband's snoring ruining my sleep, I cannot even fathom getting up with a baby! Not NOW! I don't know how my peers are doing it. *yawn* My husband and I are both firm on that point, but I'm so sad about this part being over too. It's good my kids are successfully flying the nest, but it's heartbreaking too. 

I'm wondering what this means for me going forward. Finding my new normal. I'm not sure what that is, exactly. This is especially true when it comes to my studio and art. But, more on that later...

Thawing Out

My goodness, I certainly slacked off on my blog! I didn't realize that the last time I had posted was New Year's. Today, I spent time getting my website back together, because I was told I needed to get my "public face back in place." I had been avoiding my website for quite some time, as it never seemed like the right time to work on it. I could always find something I'd rather do... like advance mathematics or scrubbing the bathroom.

Still, my site, www.KWilsonStudio.com, is finally done!

Life, well, life is about the same as it was around New Year's. We are still waiting on an offer for our house. While we didn't get slammed with snow like the folks in Boston did, we got plenty along with just awful temperatures. There were mornings it was -33F with -60F windchill. One such morning, I had to go out and use the snowblower on the driveway at 4AM. Within minutes, even through thick gloves, my fingers started burning and aching! That kind of cold is a whole other kettle of fish when it comes to winter. So, with the weather being so hostile, it's not really a shock that people haven't been looking at houses for sale. No one was. Heck, going to the grocery store was tough!

We finally had a showing last weekend, but they wanted a one-level house. *sigh* Oh well, Spring is around the corner and people WILL be out and about again! We've also signed a contract to build a house, which means I know where I'll be living in August! Yay! (plus it didn't require that we sell this one yet, so we have time.)

My husband had been gone since New Year's also, but he flew back to surprise me for my 40th birthday at the end of February. I took this picture on my birthday, because I took one last year too:

me, 40!

But you know, while I like the picture... I'm a lot goofier (and more wrinkled) in person. I think these "selfies" really don't represent how we really are (translation: I can be kind of pretty if I'm not breathing and the camera is juuuuust right - but that's not real life.) My daughter takes pictures of herself all the time, and I just don't get it (but she's goofier in real life too, so that makes me feel a little better!)

Well, at least I've been getting some work done in the studio.

"Barry" 3x3 inches

I gave this one to my son.

"Hush" based off the Grimm tale, the Six Swans (12x18 inches)

My valentine's day, digital painting

I'm also working on the White Queen from Through the Looking Glass, a commission piece for a client. I admit, I've been struggling with a touch of avoidance here too, but it's finally going.

All sketched out (16x20):

Where I was at as of last night:

I'm really looking forward to my new studio in our next house, rather than working wherever I can here because my studio is filled to the brim with supplies and NO room for me. I think it'll help my productivity to have it all sorted like that, rather than my easel next to my bed, or a painting on the kitchen table and always in the way. Life gets in the way, true, but the way things are now I seem to be getting in Life's way as well!

I hope everyone is well!