Showing posts with label Oil Paintings. Show all posts
Showing posts with label Oil Paintings. Show all posts

Thursday, February 9, 2017

Awww, Come ON!

I have a cold.

Actually, to be more precise, I have my husband's cold. I had it settling in yesterday morning, and it was coming on strong last night. I didn't sleep well, because I had horrible nightmares, like my in-laws suddenly moved in with us and the only thing coming out the taps was mud, that I somehow caused by using those toilet-drop-in tablets. (Yeah, I dunno what's wrong with me either.)

The one upside to nightmares is that you are so relieved that it wasn't real, you can pretty much face anything else that's coming that day! And what was coming was... *gasp* a mammogram.

OK, I just cannot get over that word. I feel like it should be a ripped guy in very little clothing, cowboy hat, with balloons, showing up to sing something. They need a new word, because in my head it always looks like "Ma'am *wink* o-gram" and then I start giggling like a 12-year-old. Because I'm mature like that.

Speaking of maturity, I think they should have wine at mammogram places. It would really liven things up! I walked in to the windowless waiting room of gonna-get-squished doom, and they basically had an assembly line going of women who were all miserable to be there, and avoiding eye contact. That's no fun at all. I mean, we already know what's coming and there's no way to make that part fun, so why not liven up the waiting room?

Anyway, I survived. I feel like I chest-planted into cinder blocks, but I survived. WHILE I have a cold, mind you.

I bring this up, because my husband came down with this cold on Sunday and proceeded to basically... well, act like he's dying. He got the dreaded MAN-cold. I think I read somewhere that the man-cold is a real phenomenon and that they get sicker or feel worse than women do. I dunno. I kinda want to dispute that, but ok. Whatever.

The real kicker isn't that anyway, it's that apparently with this cold comes a whole bunch of water weight. It BETTER be water weight. Unless I'm sleep-donut-eating, it can't be real (and we don't have any donuts anyway... wait, maybe that's WHY we don't have any?!) But it's demoralizing just the same. Stupid scale. Stupid cold.

Ok, there's a slight chance I'm a wee bit grumpy. A small possibility.

On to brighter news! Yesterday, I didn't feel up to my daily painting, but I did do this one today:

4x6 oil on loose canvas. I decided to focus more on his face, so there was a focal point. I really think it makes a big difference in the painting.
I also managed to finish this little 5x7:
5x7 inches, oil on cradled wood panel. 
That one had been kicking around for a while, so it was good to get it done. I also finally photographed these three ultra-mini paintings:

2x2 inch, oil on stretched canvas

2x2 inch, oil on stretched canvas

2x4 inch, oil on stretched canvas
It's kind of nice to get a few done, and then processed (have to take pictures, post them for sale in my shop, etc. It's more work than you would think!) Now I have deadlines to focus on, and stop procrastinating by doing other work... is it procrastinating if you're still working? Seems like a gray area to me. Just sayin'.

*sneeze*

Wednesday, February 8, 2017

Progress

Well, it's February. It's going to be about 75 degrees today, and I plan on opening the windows. Were this the weather in April, this would be excellent. But it's February. I want snow! On Friday it's supposed to be in the 40's. I'm going to shut all the blinds, pretend it's snowing outside, and bake cookies.

Speaking of cookies, or not eating them, I'm down 10 lbs since January 1st. Granted, some of that is water weight, but a chunk of that *IS* real weight loss! So, yay!

With that loss, I'm about 18 lbs from not being overweight by the BMI charts for my height, and another 10lbs beyond that from my final goal weight. Well, final as long as I get there and feel decent. But I'll decide once I am there. When I was younger and at that weight, I felt good and people actually called me thin. But your body changes when you're older so... we will see. I will say the bonus to being tall is gaining 10 lbs and there being very little difference in appearance or the way your clothes fit. The downside to being tall is that you work hard to lose 10 lbs and there's NO freaking difference!!! Good for holidays, bad for the ego I guess. *pout*

Anyway, my goal is to lose 6 lbs a month, and by summer I'll be at goal. I may not quite be able to pull that off for February given my stupidity with the super bowl party we had, and my birthday at the end of the month, but we shall see what I can pull off! I really want this weight off.

In other progress news, I have started daily exercise paintings for days I am in my studio (preferably five times a week.) I get roughly 20 minutes for the painting, and then I need to walk away. It's all about laying down values, and seeing what it is you're painting. I've been allowing myself some leeway, up to 30 minutes, because sometimes it just isn't even close to ok. I think it's working though. It's teaching me to lay down basic values without obsessing over details, and learning how to walk away.

The walking away part is what kills me. It's not right! I must fix it! GAH! But I'm doing it. What's more is that I'm listing the paintings for cheap ($20) and most of them are being snapped up right away. It pays for my practice session supplies, the canvas and the paint, so I literally have nothing to lose. No excuse not to get busy and start working.

So, I started with landscapes last year with this exercise, and then dropped it. Now that I have picked it up, I'm doing beta fish this week. I'm getting a little bored of them, but it's only one week. All paintings are 4x6 inches on loose canvas, and so far all oil. Here's how it's gone so far this week (I started a day early):

Beta Fish #1, I like his face the best
Beta Fish #2, Whites were hard on this one. I feel like I learned a bit, but struggled far too much. A big part of this is because the canvases on this and the last started as white.

Beta Fish #3. Now, this time I got smarter and gessoed the canvas black FIRST. SOOOOO much better, and I almost hit the time for 20 minutes, until I realized I hadn't painted in the black and that looked odd to me. I actually made a time lapse video, so you can see where I changed my mind.
I can't figure out how to post the video here, so I'll link directly to it on my instagram: https://www.instagram.com/p/BQOM3aEgb7j/?taken-by=kyraart You will be able to see it whether you have an account or not, and it's only about 30 seconds long.

I have figured out I am in love with black gesso. I think it's just more me. I like working from a darker ground. Although, I have some other things I'm going to be practicing with (not for these, more involved) and they have various toned grounds. Maybe I'll fall in love with another color too. I just feel like white doesn't work as well for me anymore.

Anyway, these practice paintings do loosen me up and get me ready to face more in the studio. I'm hoping it'll yield other results as I carry on with it. I'm thinking about doing desserts next week (hey, they're calorie-free when they're just paintings!)

I have finished a few small paintings too, but I'll post those next time!

Wednesday, January 25, 2017

Matters of the Body

Today I bit the bullet and scheduled all the doctor exams I needed to. Apparently, from moving, all my appointments are condensed into one area of time. I used to have things spread out... eyes in May, girlie doctor in March, etc. Now? It's all at once! It's like a giant influx in my mailbox screaming "You're getting OLD! It's time to feel bad about yourself! Come on down, schedule an appointment!"

Ugh.

On the other hand, I'm kind of looking forward to my eye appointment. I used to have amazing eyesight. I mean, fighter pilot AMAZING type eyesight. Now? I have no idea where it went, but it's totally not fair. I'm having to hold books farther and farther away. The magnifying glasses I got for close-up work have become my go-to, even though they're stronger than what I need, because I need something.

I had an appointment last February, but they did a poor job of helping me. As my eyes have gotten worse over the last six months I've just been counting the days until I could get someone to help me (my eyes aren't equal, so those store reading glasses give me a headache.) I have a new office picked out and scheduled. YAY! There's nothing quite like being in a poor situation to make you look forward to a doctor's visit you would otherwise dread.

I hate to think what would have to happen to make me look forward to the gynecologist. Maybe I'll just embrace my dread of that and be grateful. This is, of course, hard to do. It's bad enough in a doctor's office when they weigh you, but getting to be naked too? Yeah. Joy.

Speaking of body, it seems like any complaint you could possibly have (minus maybe eye sight) it always goes back to "Well, lose weight." I have this list of things that I'm going to push on once I get the rest of the weight off and say "See, I did. Now this is still a mess, what can we do?" I mean, how many things are supposed to hurt, what's normal for being in your 40's anyway?

I need a manual. They should have a manual like they do for kids. The pediatrician used to hand you a sheet that said "Your child: 18-24 months" and it had all sorts of data, what's normal, what's not, etc. Why did they stop that? I need one.

In other news, I finished my first piece for 2017. I have a lot in progress, but this sucker is actually done:

"In The Pink" 8x10, oil on stretched canvas (available)
I had to do a piece "inspired by a song" for a group auction. I had a whole other piece in the works, but I was forcing it. Then, the son "Dear Jessie" by Madonna just popped into my head (https://m.youtube.com/watch?v=EGYmN-1UQzI) I knew I had to switch tracks, because I felt a lot more inspired about pink elephants than I did about my other piece.

So, I worked furiously on this one, and got it turned around quickly. Lots of work, for what seems like a simply piece. But, you know... pink elephants. Totally worth it.

Hope you are all having a good week! Is it Wednesday? Wow, already?!

Friday, December 30, 2016

Come on 2017! (Part One: The Downer)

2016 has been hard, don't you think? I don't know anyone that thinks it was a good year. Yet, I had some good things happen in 2016, big things, things that one would think would qualify it as a great year! But they don't.

I was thinking about this whole 2016-perspective-thing last night as a small spat broke out between my kids. We had been sitting outside on our porch, chatting around a little fire-table we got for Christmas (it doesn't put out much heat, so it was a little chilly, but it's neat to have one!) The conversation had been good, everything was pleasant... and then suddenly it wasn't. The evening ended on a sour note, and everyone left. When something like that happens, do you still feel like you had a good evening, or does the sour note sort of ruin all the good that came before and make you feel like you shouldn't have bothered in the first place?

My husband is the type of person who thinks that a great evening cannot be ruined by a bad ending. He immediately said it was a great evening with good conversation, and not to let the ending ruin it. My perspective is that if the evening ends with everyone feeling bad, it wasn't a good evening even if it started out well. That doesn't mean I won't try again, just that this time we missed the mark. I can see the good, but it's more of a lesson about how to maybe get it right next time (because ending bad is just bad, period. It was a bad evening.)

My husband finds my perspective disappointing because I'm not all chipper about how it went well until it went into the ditch and ended up with everyone mad at each other. I find his perspective frustrating because how on earth can you expect me to be all positive about the evening ending in a ditch?

I think we both have valid points, and likely neither one of us is right or wrong. Put them together, that's probably the most healthy viewpoint one can have. The good parts are worth building on, the bad are worth noting and maybe changing things for. I'm trying, hard, to find a way to adopt a hybrid view in general. Not only with last night, but also with 2016. Because to be honest, 2016 has pretty much just flat out ticked me off.

On the positive;

  • We finally got furniture and sorta settled into the house, including finally getting my studio organized and stocked.
  • We went to Paris, something I have wanted to do since I was a little girl!
  • My daughter graduated High School and started college.
  • My son passed his exam and got his driving learning permit, turned 16, and now *gasp* has his first girlfriend. (side note: both positives about my kids have also been hard for me, too.)
  • I made a new friend, a real not just an acquaintance friend.
On the negative;
  • I have struggled a great deal with depression. It got in the way of my art and other goals, and I guess I "let it" although I look back and I can see that I did try. Failed, but I didn't give up entirely either. I'm not going to share more on that.
  • I don't think I like North Carolina, and now I'm going to be stuck here for a good many years.
  • Trump. I don't care what your political leanings are, this is my opinion. I normally wouldn't mention political topics on here, but this is unbelievably far-reaching and has had a major impact and will continue to do so.
  • I gained a significant amount of weight. 
  • Health-scares galore in my family, especially with the kids. Add medical bills to this one, too.
Actually, I'm going to stop there. That's enough. Without going into further detail, 2016 has been miserable for me for 90% of it. Whether it's my fault or completely out of my control, it hasn't felt like a good year.

This is the last painting of mine for 2016. "Wilted" (sold) 6x6 inches, oil on loose canvas. 

This last painting, I did it as an assignment for Thrice Fiction Magazine. It's not really illustrative, it's just what sort of popped into my head. The more I have looked at it this past week, the more I realize that this is pretty much my 2016. How I felt, and maybe still feel. 

So, OK. I can say it. For me, regardless of the good things that happened, 2016 sucked. 

But you know what? Even so, I have a choice. You either have move forward and try to do better, or decide that 2017 is going to suck too. Even with my negative viewpoints, I'm not willing to just toss the towel in on 2017 and give it up. It's MY year, it's not even here yet, and I want to do better.

So, I'm working on goals. I'm working on things that are under my control, at least from my perspective at the moment (who knows what will happen) and setting goals for improvement and accomplishment. Not New Year's Resolutions, because those always seemed a bit silly to me. No, just personal goals that I can make mistakes on but keep on trying without having to say I failed at nailing them perfectly (which is how I view resolutions. They have always seemed like all or nothing.) 

I want to be better, do better in 2017. I need to, especially as it feels a lot like we're going to head into the year with the world falling apart and it's unlikely to get better. If the world is a mess, it's important to pull back and strengthen your base, your core, your safe space and self.

(part two, tomorrow with my goals)

Monday, December 5, 2016

Back to the Art-side

A long absence has certainly given me a lot to share, both personally and art-wise! I'm going to go a bit lighter today.

As it's December, I thought I would share my official 2016 Holiday painting (this is a different painting that I create each year with the intent to release as a holiday card for myself and others to order, etc.) I got my neighbor's daughter to be my model, and I actually think it turned out rather well:

"Sequor" (original is sold, prints and LE canvas prints available)
11x14 Oil on Canvas Panel

I was happy I completed this painting this year, as I sort of failed that goal last year what with only moving into the house in October and not being settled at all. This year, my studio is set-up very nicely. In fact, I recently was able to attend Art of the Carolinas for the first time ever! I didn't participate in any workshops, but the art supply trade show is a DREAM.

I was able to get my hands on all sorts of things at a huge discount. One of the people there told me that many artists save up all year and then do all their buying at the show. I can see why, and I'll likely start doing that myself. 

I was able to purchase HUGE canvas panels for the first time ever. I always had to order stuff in Vermont and the shipping was often the same or more than the panel, and the panel was pricey too so I never went for a big one! At the show I was able to get canvases over 60 inches for less than $60. If you know your canvas, you know that's a big savings! I was giddy at the trade show! I even got a new easel. It's an art supply wonderland for me!

My poor husband endured it pretty well. I figure it's payback for all that time spent in fishing stores, or in the home improvement stores when he's "just browsing" and I get to the point where I'm eyeing the stacks of plywood and thinking "I could nap on that, right? No one would notice..."

I was also able to paw through wood panels. I have started painting on these now and again. I'm kind of on the fence with them. The ones I had were plate-smooth and this actually made it hard to paint on. I felt like the paint was slipping off, and this surprised me because I often feel like I'm fighting the tooth of normal canvases. Still, I got this one to turn out when others had failed me (or I failed them):

"Sunset" 5x7x1" oil on cradled wooden panel, available


I found some gessoed panels at the show that actually had some texture to them, and I'm going to try them and see how they work. I like the idea of painting on wood, but I have a lot of canvas to use up if that's the way I go. I also, a few months ago, found gesso (Prima) that reduces the tooth without sanding and this was a huge find for me.

Let's see. More art that has happened, and has started me really thinking about my studio and my direction:


I painted "Dawn" on a black ground, and this was a new experience for me. One that I really liked, and intend to explore more. It took me longer than necessary because I was new to it, but here is a time-lapse I shot on my phone of the painting:


This is one of the paintings that has got me thinking about my studio and "voice" which I'll touch on in another post. Until then, here is more art from this year that I haven't shared:
I just finished "Ringmaster" on 12/1. I had to turn him around in about 24 hours. I'm pleased with how he turned out! He's another little one: 5x7" oil on canvas panel.
Envy, oil on 6x6 canvas panel (available)

I have been playing with abstracts again:

"Stardust" is a large piece at 24x36x1.5, acrylic/silver leafing/gems on stretched canvas (available)

"Lark" is 9x12, acrylic/gold leafing on stretched canvas (framed, 14x17, available)
Didn't name this one, but same dimensions and info except I used silver leafing (sold)

I've completed other paintings, but that's probably enough for now. And honestly, I haven't been creating a lot this year. I know I originally had this huge plan, but I will say that I failed that. I've been thinking a lot about why, but that is for yet another day!

Thursday, March 10, 2016

There's Only So Much Time

I cannot believe a month has gone by since I've updated my blog again. I feel like I'm alternately the most lazy person in the world, and also as if there is never enough time in a day because I'm just so busy with a million projects. I'm not sure how both co-exist, but they do for me.

I feel guilty for every single moment I take for myself. I think I'd feel better if someone told me how much time I am allowed for myself in a day, time that would be thought of as not being lazy and instead being perfectly acceptable as "me-time". Is there a chart somewhere? I need that...

So, since I have last popped in I turned 41.
Me, the morning of my birthday.

It was an interesting birthday because at first I wasn't going to celebrate it ON my birthday at all. My husband was traveling all over the world and wasn't going to be in town, and I just wasn't feeling it (I was also thinking about me trying to lose weight and how that wouldn't help things.) But on my birthday, I woke up and I knew I wanted to do something. My husband had a weird situation that ended up with flights canceled and him actually here on my birthday, so I took that as a sign! There was dinner, and chocolate cake. 41 years of chocolate cake seems like an achievement! (I just wish I didn't see leftover cake as a personal challenge. It's a good thing I have a teenage son willing to "help" me out on that issue.)

On the art front, I snagged a couple abstract commissions and also completed a few more paintings. I'm starting the abstracts at a significantly lower price-point because I figure it's sort of a re-entry into the abstract market after so long. I also dumped Etsy (finally!) and created my new store front and got that up and running (http://kyrawilson.storenvy.com/). So here are some of the paintings I finished in February:

9x12, acrylic on stretched canvas. Available.

This was a commission, but the client decided he wanted a smaller moon. 

Since on the last picture, the client rejected the moon being so big and I painted him another, I had this big moon canvas and I needed to do something with it, so, I added knife-worked trees and little cardinals in the branches:
16x20, acrylic on canvas, available.
I've finished others and they've sold and gone on their way to their new homes, and I have plans for a wooden panel elemental series... just as soon as I get some GAC 100 to seal the panels. (I know some people use GAC 700, but are there any other alternatives? I've always used prepared panels prior to this, but these are raw birch.)

I've started a smaller mermaid piece, and here are just two pictures of the under painting layers - I'll be adding in color today, actually!



She looks a little crazy eyed, but I figure lashes (one of the finishing touches) will soften that considerably. At least I hope it will. Otherwise, she's a little scary.

I have another surreal painting JUST getting started on the under tones with an elephant and a girl, and I also am gearing up to finish out the Alice Series. I have the 18x24 finally all laid out. I know some people are very precise in their painting sketches, but the only part that is solid in a painting sketch for me is a person's face. All the rest is sort of a landmark type of thing for me. It's loosey-goosey.



For example, the Cheshire will look at a lot better than that, and the bushes and stuff, I've just marked roughly where I want them to go. The painting is large, and complicated, but I hope it won't take too long. I'm so far behind, and the client really has been patient with me... but enough is enough! (I have too many commitments I think.)

I figured out I've been tripping over Lily almost constantly as she's become my stalker. I'll paint for a while, not look down when I go to stand up, and then suddenly be on the floor. She picks a new, sometimes stealthy, spot behind me every time, too.



And Socrates has been doing his best to distract me:

It's really hard to paint when a Maine Coon Cat decides he wants your attention. But in truth, it's coming down to me and my own distraction and needing to properly focus and get my work done.

I have to complete the mermaid and elephant paintings by the 20th, so I have very little time and so much work to do. My focus right now is to finish all the commissions I have and clear my books, and then re-evaluate my plan for the year. I had set up three new series I was going to be starting, and I haven't managed to start a single one of those and yet here we are in mid-March. I need to figure this out. Some of that might be disappearing for a while from my other social media so I can just be on a paint-frenzy and try and make a few jumps forward.

Time, and not having enough of it, seems to be my theme this year!

Friday, January 29, 2016

Buy-Bye January!

It's almost February. I cannot believe that 2016 is already flying by at light speed (although, when trying to lose weight, the time seems much slower. It's only everything else that seems to be whipping by!)

My goal was five paintings for the month of January. Unfortunately, January nailed me with another nasty cold and a lot of time off for the teens from school, which just fed into my frustration in the studio. I only managed 3 paintings for this month. I'm really going to need to pull out all the stops and catch up if I'm going to be back on schedule! 

I finished this Rocking Horse Fly:
6x6 inches, acrylic on stretched canvas, sold

This oil painting:
"Love is Blind" 9x12 oil on stretched canvas, Sold

...and this small oil painting also:
"Love Child" 6x8, oil on canvas panel, available


The rocking horse fly is a part of my Alice in Wonderland series, and part of a line of commissions I'm working my way through. I'm actually sketching out the largest of them (18x24), Queen Alice, right now:

She (Queen Alice) was supposed to have been completed on January 23rd according to my schedule. *sigh* I'm so far behind. If I can just get in a groove though, I might just be able to catch up.

However, you see that blindfolded girl painting? Well, I was doing some research on the rococo technique, and that was my first experiment. I can't say it's a successful one, because I had to give up on the technique and just rush to finish it because I ran out of time for my deadline. Still, even so, the result is fairly pleasing. I'm a bit unsure about how "warm" it is, but at the same time it has that old-timey feel to it, and I think I want to use that in my Fairy Tale series that I ALSO didn't get started this month but was supposed to have finished one 9x12 of. (*head*desk*head*desk*)

The rococo technique is fairly involved, though. Lots of layers (i.e. drying time) and such. That's made me think about my schedule of about 60 paintings and whether I'm biting off more than I can chew. I'm going to try to move forward and see what I think, but I feel like I can't make a real decision about it until I get the Alice in Wonderland series closed out completely. It's a different medium (Alice is all acrylic) than I want to go forward in right now, and it's also a different style. I feel that I'm evolving, and I'm actually having to almost physically hold myself back in order to finish these paintings properly. 

With that in mind, Alice has become my #1 priority so I can finally move forward and not mess her up as I do. I worry about jumping between my old style and new, and I don't want it to mess things up on either end.

We did get some snow down here in NC. I felt a bit conflicted, as it finally looked like winter but it had ice which made playing in it rather pointless. Still, it was white for a little while (and now we're headed back to the 60's for temperatures which feels very wrong.) The schools and everyone shut down in a panic for several days longer than I would have expected.

So, here is my "first storm expected in NC" report: people really are nuts when it comes to winter weather. (You should know it was 43 degrees and sunny out when I took these pictures below the day before the storm.)

I went to the grocery store the day before because I needed a few things. There weren't too many people in the store, but this is what was left at 3:20pm. I checked out easily, but getting OUT of the doors of the store was hard because people were just streaming into the store. Some people had parked in the fire lane to run in and ask a manager standing in front if they had milk. I heard the "no" and the woman I was eavesdropping on as I was trying to leave turned on her heel and bolted out the door to her waiting car and said to her companion "no, they don't have any either!"

The lady at the checkout said she had people buying 5 gallons at a go. She said "you know, if you have kids, maybe it makes sense... But a lot of these people don't. I asked."




I did bake cookies though. Bad for my weight loss efforts, good for my peace of mind. Kinda. (Double chocolate-chocolate-chip.)

Anyway, I'm speeding ahead and trying to catch up as we head into February! I hope you have all had a good January!

Tuesday, December 29, 2015

Looking Forward

I hope you had a lovely holiday (or stretch of December, whatever you celebrate or don't!) We had a weirdly warm Christmas. On Christmas Eve, my daughter and I ran out to get some ingredients for the traditional buttermilk Cinnamon rolls we always make... and it was 79 degrees.

I wore shorts. I died a little inside.

I know it sounds silly, but cold weather and snow are a part of my blood. I have never lived somewhere where I am likely to have little to NONE of the fluffy white stuff. I'm not contradicting myself about the -40F the teens and I suffered through all by ourselves in Vermont last season, because there's simply no way to enjoy that. However, I have always lived where there has been a decent winter season, at least a few good snows worthy of building snowmen and forts and snuggling down in front of a fire inside and appreciating how lucky we are to be surrounded by our warm comforts in the form of hot chocolate and soft pajamas.

I know, they can get cold weather here in North Carolina (Raleigh area) too. I'm just... not very optimistic about it all right now.

However! We still did holiday decorating and baking... and the new neighbors beat me to the punch in bringing everyone cookies. It was like a reverse trick-or-treating bonanza! We ended up with cookies, ornaments, wine, and other gifts. I felt a bit intimidated just giving a bag of different cookies we baked and a miniature gingerbread house we baked and decorated, but they seemed to go over alright:

All the little houses we baked and decorated, before we bagged them in cellophane for delivery.
My parents came over for Christmas Eve dinner, where we did one gift (always PJ's, but the kids still look forward to them) and crackers!

My daughter, mom and dad, and my husband. Mom was a little afraid of the crackers, but most of them didn't go off with a big bang. There was one or two, though!

Christmas itself was lovely and low-key. I crave low-key. So, this made me happy! Not a lot of pictures from the actual day...
I did snap a picture of myself real quick, though.
Ok, it's time for studio and stuff talk!

2016 is FAST approaching! I have plans, big plans for this coming year. My thoughts are that I have finally relocated after that horrible, long, drawn-out move. I have settled, and unpacked, and even (mostly) organized my studio. Nothing should be standing in my way but me.

Before I get to all of that though, here is a painting I finished for Thrice Fiction Magazine, and I actually really like it:

"Ripples" 9x12, oil on canvas (available)


I made the decision that this year, since I am new to NC, I am not going to be seeking out any gallery representation until perhaps the end of the year. I am also not going to book any spots in art fairs or what-have-you, because I just don't know what all is out there and what are best suited for my stuff. I do plan on visiting any that look promising to scout them out. Reconnaissance!

Because I'm not doing any shows, I have set a hard schedule for 2016. I mean, really hard. I have 56 paintings scheduled. That includes finishing up some commissions and Alice in Wonderland pieces to finally close that series out, as well as auctions, and then I'm very excited to be starting THREE new series!

The first is for my surreal, that was built off my snowy elephant from my last post. I have elephants on my brain, and have had for a very long time. I'm going to do a surreal set of 12 paintings.

The second is my Nox series that I was supposed to do this year and did not. It's all about a surreal stars/sky figure paintings, another set of 12.

The last is a NEW fairy tale! YAY! I just haven't picked it yet. I need to do that soon, though. I'm trying to decide. But it will be another series of at least 12.

Balanced on my business plans is the plan to get my act together and lose this darn weight which has been creeping up for the past few years. I'm not even fit anymore, as the move put a stop to access to my exercise equipment. I have it all once again, and so that all starts anew as well! This is a big thing, because I have been having health issues I think are directly related to how unhealthily I have been living since we moved. Time to undo the damage (boy I hope I can! I hope it's not forever now with these problems. It's like being punished.)

The last thing I need to do is schedule an eye exam... because I think being over 40 has caught up with me. I'm having pain in my right temple, and I thought for a long time that maybe it was a sinus thing. And then I wondered about my eyes and how they seemed to be getting worse, so I put on my not great reading glasses and amazingly the pain was less. I think my eyes aged out on me, TRAITORS!!!

Anyway, I'm excited and all charged up for 2016! Hopefully LESS changes than 2015, and a whole lot more work and progress in the studio!  I hope all of you have a wonderful New Year!

Monday, December 7, 2015

Where Are Those Sleigh Bells?

Hey, look! It's December!

I can't believe it's December though. I mean, I know I said it was, but it really feels like October in Vermont, compared with December in North Carolina. Although, I hear it's been weirdly warm back in Vermont, so perhaps not all that different right now.

When last I checked in on my moving saga, I was stuck in the temporary apartment, but thinking the house was going to be done soon. That would have been nice, but instead the builder delayed our closing all the way out until mid-October. We lost the apartment in September (when the short-lease was up, and they said SURE! They'd be happy to extend it... for $4,000 a month. I kid you not.) So, we ended up putting everything in storage and staying at my parents' townhouse for a few weeks. Sleeping on the floor is not as easy as it once was, I think. Or maybe it's never easy.

We finally closed on the house, and moved in. It was a long, and difficult process even then. I know moving is always hard, I just don't remember it being this difficult. As a parent, I feel like I'm just letting my children down left and right. I know it's not really my fault... but it feels that way.

One very positive side is that I have my studio! Now, the movers, when they didn't want or know where to put certain boxes decided to just dump them all in my studio. So, I didn't get to really set things up the way I would have liked. However, I've worked through about 85% of the boxes now and I have been able to paint some. It's not comfortable yet, and I haven't found everything, but that's a start!

This is my newest painting, from sketch to finish:


The theme was "Winter Wonderland"






"Snowshoe" 9x12, oil on stretched canvas (Available)


Not only am I on a HUGE elephant kick, like this one before it:

"Somnium" 16x20, acrylic on canvas panel  (SOLD)

But I've also FINALLY been able to switch back over to oils. That's something I have been planning to do for a long time, but I knew the move would ruin oil paintings, so I held back.

This is another new painting:

"Candy" 9x12, oil on loose canvas (SOLD)

Candy was really more of an experiment. I had something I needed to paint for, but I wanted to dip back into my oils. So, this was my toe back into the oil-water, so to speak.

I've been feeling that my style is getting ready to grow, and make a bit of a jump. I think that now that I am in my house, that I will finally be able to let that happen. I feel a little like I want to barricade myself, stay off the computer and just paint for a few months. I don't know how to allow that to actually happen without shooting my business in the foot, however. My hope is that once I get the studio (and house) straightened out, that I will feel more relaxed about painting and it'll all just start flowing like I know it wants to.

On a side note, I ended up test ordering some pillows with my art on them, and they came out so cool!



I ended up selling a bunch, as a one time offer. The problem is that they're cost prohibitive for me. They seem very popular and are probably something I should stock when I do another art fair, but I need to find a cheaper way to make them. Anyone know any good wholesaler pillow/fabric type of businesses?

Well, anyway... Today, as I was looking up foxes for a new painting, I realized I hadn't checked in at all on here for a very long time! I'm going to do better with that!

Tuesday, December 30, 2014

Year-end Wrap-up

Per my tradition that I started a few years ago, I have constructed my Painting Quilt for 2014. This is simply creating a big square space and plugging in all the paintings from the year into one spot. It's a nice way to see what I have completed in a year's time, not to mention to be able to see some growth.




It might look like a lot to some, but I fear it's actually far below what I had hoped for this year. Oh, and I realize it's got this one in it that I forgot to mention that I finally finished by request right before Christmas:

Eye Spy, 9x12 chalk pastel on pastel paper. Original sold, prints available.

This and the little dwarf with the spoons represents my experimentation with chalk pastels. Chalk was something I did a lot with in high school, but not professionally. I'm not sure where I'm going to go with this medium, or if I'm going to abandon it. I imagine I'll work a bit more with it here and there, likely for the auction groups I work with on Facebook now and again.

Looking at my quilt, I can honestly say that I didn't complete anywhere near what I had set out to do. I looked up my post for last year and my big plan was to work on more large and in-depth paintings. I had such plans! ARGH! Instead, while I did finish the Queen of Hearts, as far as any large and in-depth paintings... I didn't do anything else. I'm pretty disappointed in myself on that level.

However, what I do see in my quilt, beyond experimenting with pastels, is a foray into digital art (bottom left corner) that I had been tiptoeing around for a long time. I had been thinking a lot about buying a real tablet (like a Cintiq) and trying my hand at digital art. To test out how I would do with that, I bought myself a Waccom pen for my ipad and the Art Studio app, which works a lot like photoshop. Those digital paintings resulted in a few that I really ended up loving like this one:

"Star Gazing" prints available

But I also realized that dropping major money on a high end tablet for digital art just isn't for me. I know that digital art always looks crisper on merchandise, and I'll probably create a few a year just for fun (and probably all having a bunny, rabbit, or bumblebee in them), but that I don't need to invest money in a big-time piece of equipment. The main reason is that I'm simply an artist who likes to get her hands dirty.

I like being able to see what I can create digitally, but I'm not drawn to it like I am a rack of paint on the wall and a stack of canvases. There's something about having the actual material beneath my fingers that I just need. So, I'll create my silly and fun digital work here and there (especially if I'm traveling or stuck somewhere), but my main focus will still be traditional work. I think realizing that about the digital artwork was a big accomplishment for 2014. It ticked one of those major questions off my artist bucket-list.

What I also see is a resurgence in my surreal side. I initially started professionally selling as a surreal and abstract artist, and then I kind of abandoned it for the fairy tale work. I realized a while ago that I need both, and I have begun to embrace that whole-heartedly. One of my very favorite paintings from 2014 is this one:

"Sail Away" 8x10 acrylic on canvas (original and prints available)

I had long been dreaming about a figure series where the character brings night with her. Honestly, I think I have been dreaming about this series since I was in high school. Finally, it just bubbled to the surface for a prompt, and I've completed two this year (the other being the black and white "Forward" painting.) Those two are the tiniest tip of the iceberg for me, and there will be many (MANY) more coming.

Looking forward to 2015 I see (and hope and plan):

  • The Nyx series (night bringer) in both acrylic and oils
  • Finishing out Alice if I can, I've been commissioned do many more paintings including the White Queen and Queen Alice which I am already started on and will be sharing that shortly. These are exclusively acrylic
  • Red Riding Hood (and possibly others), and a return to oils
  • A few more minis here and there because they're fun, in acrylic, watercolor, and possibly oils - but trying to not get sucked into them and have them take away from the larger pieces
  • An Alice in Wonderland Calendar, and possibly a surreal one for 2016
  • Creating a yearly Christmas painting that I offer as Christmas cards, as I did this year
I think if by the time I am putting together next year's quilt, I have less work but more in-depth pieces, I will be satisfied with that. So, here's to a very illuminating 2014, and I hope a more satisfying 2015!


Wednesday, May 7, 2014

Plot Twist!



Isn't that just a fabulous sentiment? It's how I feel about my entire life, every aspect of it. Whether I'm trying to lose weight, or paint the rest of the frustrating Queen of Hearts, or move out of this state, this is something I know to be true.

It all starts with a day dream and a wish for change, for something more, doesn't it?

I realize I spend a lot of time in my head, in my own world, in my dreams. I think that is why I am a painter. These gardens for my Alice series, I've walked them a thousand times in my head. These creatures I create? Those, too, are my new friends.



Speaking of which, meet Frank!


Frank wishes he was a household brownie. He would love to have a house to call his own, where he could clean and bake wonderful things. Yet, every time he gets a chance to jump in, somehow that darn tail gets in his way! Dishes tumble and crack, pans of cookies go flying, laundry is dumped into the mud! Poor, poor Frank!

I loved pulling out my oils for these creatures (taken from the sketches I made earlier.) Frank was the second creature I painted in, Mandy is the first:



Mandy is afraid of the dark. She's also afraid of water. And bright lights, and... well, Mandy is afraid of most everything. Luckily, she has her best friend, Mr. Snooks (the teddy bear) and he gives her the courage to face things, because she's never alone. Just don't make any loud noises, OK?

Drawing creatures is really enjoyable to me. I'm thinking long and hard about whether they are another diversion from my strong focus on complicated and detailed fairy tale paintings, or if they are a legitimate side focus for me to continue developing. I'm leaning towards development, but I need to be careful, and I acknowledge that. For now, I'm painting the rest of them, and then seeing how I feel. I rather like each and every one of them, they each have a story!

Something to think about, I suppose. Something I never saw coming. I suppose you could call this a plot twist!