Going Back Home

When last I popped in, it was June in North Carolina. It was hot, humid, and just icky. I have to say it's a wonderful relief to sit here and tell you that there is a cool, crisp breeze outside and it'll be getting down to the low 40's tonight. If we were in NC still, that kind of weather would cause an all out panic (which makes me giggle a little, I admit.)

We have relocated back to Vermont!

This has been a very interesting experience, going back. When I left, I was angry. I felt like I had been driven out with the cost of living, solar panels going up all around us (a neighbor had a huge field of them go up on two sides of her property, and there wasn't a thing she or the town could do about it.) I was upset about the cost of college for my kids, and the thought that there was nothing they'd be able to do for work here. When given a second chance to rethink our relocation to NC at the last minute, we wavered, but in the end we decided it was the right thing to do to leave VT. I was convinced I was never going back.

I think a lot of my anger stemmed from the fact that when we first moved here, we thought that was it! Vermont was where we would retire, and everything would be wonderful! It wasn't - there were some negative/strange interactions that I let affect me, lots of hitches and snags (although, surmountable, had I tried harder), and in the end I think I just felt betrayed that I had to leave for my kids' future, when I thought I would be staying forever.

Life's lessons come in some funny forms. This one for me was a pretty big lesson. North Carolina was the biggest mistake we ever made. I won't go into the why's and what happened, because most of it is intensely personal. I think it's enough to say that it was life changing, and perspective altering. Your priorities shift on some major levels when things get really, really bad.

The opportunity came up for us to move back, and we realized how much we actually wanted to. On some level, I was aware that it was likely we were yearning for the life we had before some truly horrible things happened to us... and that's delusional, because you don't get to go backwards. I look back now, and realize that we really did love the land and we should have tried to find other solutions. Some things have also shifted and it turns out that what my children want to do IS supported here; there is a real path forward. Some things haven't shifted, but we have solutions now. Being aware of all of that, we were able to make the decision in a balanced way, and we chose to go home. 

I thought I would have to eat a lot of crow, having left in such a huff. But do you know, the only person who snapped back at me is someone who isn't even from Vermont at all? Instead, the people here welcomed me back with warmth and caring - leaving me practically tearful with gratitude. We were lucky enough to move back to our same town, which wasn't something we even tried to do (in VT, that's pretty tricky because the housing market is not such that you pick the town you want to live in, but rather that you look for a house that will work and THEN discover what town you will be living in.) That means the community we left is still mostly here, and that has been a huge blessing.

We have gone from a shiny "perfect" house in NC, to a house that needs a LOT of work - the kitchen is from the 1980's and my son cracked me up when he confessed to being afraid to use the oven because it's all dials and the only way to tell the temperature is an actual gauge you set inside on the rack (yeah, the kitchen is on our renovate list first, right after replacing the 25 year old boiler that's making really scary sounds right now!) But a big, shiny, perfect house doesn't mean anything if it doesn't feel like home. When I got here, I felt like I could breath after three years of holding my breath. I never relaxed in NC, but I did here, even in the midst of a crazy move.

My new backyard is about 100 acres, and this is the view from my new studio (it has a little balcony) and this is my husband (just celebrated our 23rd anniversary!) who is also thrilled beyond belief to be back

I wake up every morning and there are deer, and often a "rafter" of turkeys (no idea why they don't just call it a flock.) I have squirrels, and birds, and breezes that flow through my OPEN windows, and cool crisp air that smells of honey and clover. I have quiet, and butterflies, and I have peace. It took a bad turn to realize we really did need to be back, and it has been a lot of work - will continue to be a lot of work on multiple levels, but I really feel like we're on the right path for the first time in a long time.

sunset, in our backyard a week ago

I also have two new fluffy members of the family! We just adopted them a few days ago and are in the process of slowly introducing them to the other animals in the house. Meet Merlin:

and Stratus:

They're total snuggle-bugs, small kittens (especially compared to Socrates who is about 10 times their size) and they also like watching Disney movies.

Merlin and Stratus, snuggled up with me

Side note: I found a bathrobe covered in shiny silver stars!

I think I only have two new paintings to share, even though so much time has passed since I last wrote. The first is a painting that is currently on the Liberty Orchard's Halloween box!

"Halloween Kittens" 9x12 inches, acrylic on canvas, sold

The ad from Liberty Orchards

The next painting is the second in my Favorite Things series:

"Georgette" 6x8 inches, acrylic on canvas, available 

I have my kitchen unpacked, and my studio completely unpacked. That's it. The rest of the house is in complete disarray. I'll get there with the rest of the house, but I am ready to start painting again.

I tried working on an in-progress piece - but I feel out of sync. So, I think like after not exercising for a while, I need to warm up and do some smaller, faster work to get back into my groove. I'm going to try to do daily paintings again, at least for a little while, to break in my new studio area! Hopefully, I'll have a lot more to share, and check in more often!

Things may still be hard right now, but there is light. There is positivity. I didn't expect any of these turns, and I'm as surprised as anyone else that this is where I sit tonight... but I'm oh, so glad that this is where I am. Home.

Starting Mark

I have finished my first piece for 2018! I started this in the winter of 2017, but then it sat dormant as my life got crazy. I picked it back up, and finally finished it:

"Small Talk" 9x12, acrylic on canvas panel, available

This is 9x12 inches, acrylic on canvas panel (with iridescent acrylics used on the moon, because SHINY!)

I have another sister polar bear piece that has the same backstory of being started and not finished that I am layering oils on and finishing it that way. I am going to compare the two and see which I like better.

I thought for a long time that I was going to dump acrylics altogether and just switch to oils because it's my preferred medium. With life being out of control in 2017, I realized I just didn't have time for oils. Not really. I didn't have time for much, so I started trying to do daily paintings. Since they had to be finished quickly, that meant I wouldn't be able to walk away for a few days while layers dried, so out came my acrylics.

Here are a few of my favorites I completed at the end of 2017, they're all little ones 4x6 inches:

Apple House, 4x6 acrylic on loose canvas, available

Cardinal, 4x6 acrylic on loose canvas, sold

Fox, acrylic on loose canvas, sold

Owl, 4x6 acrylic on loose canvas, sold

Vision (owl) 4x6, acrylic on loose canvas, sold

Raven, 4x6 acrylic on loose canvas, available

I enjoyed my dailies so much, that I realized it was a good thing for me to keep doing because it motivated me, and it is the first step in improving my skills like I want to. So, I invested in some acrylics that promised to be a little more like oils. I bought Charvin acrylics, and I have to say they are buttery and a bit more like oils in the blending which is nice, but I'm still on a learning curve with their drying process (it's a bit different than the cheaper Soho brand I had been using), and they still dry flat like all acrylics do (varnish helps this a bit, but you have to be able to see beyond and hope it causes that depth!)

I also decided my dailies are going to be on canvas panels instead of loose canvas going forward (for the most part) and that I will save the loose canvas for fast studies or trying stuff out. It's nice that you can frame loose canvas like a photo, but I think buyers would rather have a hard panel.

I finished out the year with some reindeer, because I was in a festive mood (and I have two more sketched out that I need to paint... although it feels a bit odd after the season has passed!):

Reindeer 2, 5x7 acrylic on canvas panel, sold

Reindeer 1, acrylic on 5x7 panel, sold

That's probably enough pictures for today!

I'm just happy to share my first finished painting, and I hope to be sharing a lot more going forward! Part of that is my own participation on this blog, so I'm going to do better with that.

I think... I'm going to go paint a turtle. It was my intended new years painting, to be the last for 2017, but showing up a little late isn't so bad, I suppose!

Back to the Art-side

A long absence has certainly given me a lot to share, both personally and art-wise! I'm going to go a bit lighter today.

As it's December, I thought I would share my official 2016 Holiday painting (this is a different painting that I create each year with the intent to release as a holiday card for myself and others to order, etc.) I got my neighbor's daughter to be my model, and I actually think it turned out rather well:

"Sequor" (original is sold, prints and LE canvas prints available)
11x14 Oil on Canvas Panel

I was happy I completed this painting this year, as I sort of failed that goal last year what with only moving into the house in October and not being settled at all. This year, my studio is set-up very nicely. In fact, I recently was able to attend Art of the Carolinas for the first time ever! I didn't participate in any workshops, but the art supply trade show is a DREAM.

I was able to get my hands on all sorts of things at a huge discount. One of the people there told me that many artists save up all year and then do all their buying at the show. I can see why, and I'll likely start doing that myself. 

I was able to purchase HUGE canvas panels for the first time ever. I always had to order stuff in Vermont and the shipping was often the same or more than the panel, and the panel was pricey too so I never went for a big one! At the show I was able to get canvases over 60 inches for less than $60. If you know your canvas, you know that's a big savings! I was giddy at the trade show! I even got a new easel. It's an art supply wonderland for me!

My poor husband endured it pretty well. I figure it's payback for all that time spent in fishing stores, or in the home improvement stores when he's "just browsing" and I get to the point where I'm eyeing the stacks of plywood and thinking "I could nap on that, right? No one would notice..."

I was also able to paw through wood panels. I have started painting on these now and again. I'm kind of on the fence with them. The ones I had were plate-smooth and this actually made it hard to paint on. I felt like the paint was slipping off, and this surprised me because I often feel like I'm fighting the tooth of normal canvases. Still, I got this one to turn out when others had failed me (or I failed them):

"Sunset" 5x7x1" oil on cradled wooden panel, available

I found some gessoed panels at the show that actually had some texture to them, and I'm going to try them and see how they work. I like the idea of painting on wood, but I have a lot of canvas to use up if that's the way I go. I also, a few months ago, found gesso (Prima) that reduces the tooth without sanding and this was a huge find for me.

Let's see. More art that has happened, and has started me really thinking about my studio and my direction:

I painted "Dawn" on a black ground, and this was a new experience for me. One that I really liked, and intend to explore more. It took me longer than necessary because I was new to it, but here is a time-lapse I shot on my phone of the painting:

This is one of the paintings that has got me thinking about my studio and "voice" which I'll touch on in another post. Until then, here is more art from this year that I haven't shared:

I just finished "Ringmaster" on 12/1. I had to turn him around in about 24 hours. I'm pleased with how he turned out! He's another little one: 5x7" oil on canvas panel.

Envy, oil on 6x6 canvas panel (available)

I have been playing with abstracts again:

"Stardust" is a large piece at 24x36x1.5, acrylic/silver leafing/gems on stretched canvas (available)

"Lark" is 9x12, acrylic/gold leafing on stretched canvas (framed, 14x17, available)

Didn't name this one, but same dimensions and info except I used silver leafing (sold)

I've completed other paintings, but that's probably enough for now. And honestly, I haven't been creating a lot this year. I know I originally had this huge plan, but I will say that I failed that. I've been thinking a lot about why, but that is for yet another day!

Queen's Rule

I think we're at a stopping point for taking pictures of the back view... everything is just sort of dead and ugly right now. Once we get a pretty snow, I'll snap a picture of that! Autumn was fun while it lasted!

I finished my queen earlier this week, finally!

"Queen of Hearts" 16x20 inches, acrylic on stretched canvas.

She came out well, even though there were times I worried. It's funny, because I feel like this painting really fought me. I'm not sure why. It certainly took forever, if we look at actual time from the drawing to the completion... but that's mostly because I walked away frequently, frustrated with her.

I'm going to paint a companion piece to her, The White Queen, and I'm actually looking forward to that one! She lives backwards, so I'm working on coming up with things that express that!

I also finished two little pieces:

I named this one Bunk-bed, can you see why? I'm in love with this one because of the tiny mouse. I have this urge to paint all sorts of tiny mice and kittens on tiny canvases!
4x4 inches, acrylic on stretched canvas
This one is now available in my shop

I painted that little mouse, and he's smaller than an earring:

it's a bad picture, late at night off my phone, but you can see how tiny he is.

I realize I need to fins tinier brushes for a lot of the things I want to do. The ones I have, they're simply not small enough!

And then I finished this kitty too:

The moon and leaves are iridescent. I've started adding in jade to the edges of my moons and I just love it! 
3x6 inches, acrylic on stretched canvas
This painting is now up for sale in my shop

And then I didn't get any work done because everything got a bit crazy here between house showings and other things. I'm back to work now, and working on a piece for the Black and White November auction on facebook:

it's messy, I know. My idea is do paint everything in black and white, except for the moon, her, and the wolf/dog's eyes (which will match the moon somehow.) I've forgotten how tricky it is to paint in just black and white. This is funny really, because I used to be afraid of color! Black and white (and all the grays) were so easy! Color was tricky. Now, it's the other way around!

So, I'm a bit uncertain if the piece will turn out. I'm hopeful, though! And Christmas paintings are on the way too. I must get my holiday painting in! And with that, I'm also putting up one of my Christmas trees today. I know it's early, but normally I decorate on November 1st, so technically I'm late. Since we're showing the house, I wasn't going to put anything up until Thanksgiving, but the truth is that I need my twinkle lights!

I hope you all had a wonderful week! Anyone else have holiday decor up yet?

Stasis

You'll be happy to know that the only person who got a stomach ache from my husband deciding to eat three-week-old-leftovers was me. I don't understand why men could eat the bark off a tree, lick a poison frog, and then roll in a barn without even causing the slightest quiver in their stomachs while the mere suggestion of any of those things turns me a quite unbecoming shade of green. While we're on the topic of men, I also don't understand why men can just consider losing weight and drop five pounds instantly while the same result requires a month of serious effort on my part. Just makes me want to slap the lot of you men. Love you, and all, but slap you just the same. *wink*

My ankle is still sprained, and my doctor floated the possibility that I actually fractured it, but since I was doing better I got to put off x-rays unless I fail to make reasonable progress. It's almost been a month (well, maybe just over three weeks, but it feels like a month) and I'm fair to going stir crazy not being able to go running as I normally do (and eating far too much, hence the five pounds commentary earlier.) I have been working, however.

I finished up a couple more pieces for the very shortly upcoming issue of Thrice Fiction Magazine (it's a free read digitally.) I wasn't able to participate in the last issue because I was overbooked with work, but I'm glad they gave me another shout this issue. As it involved snow, and we got a surprise four inches of the stuff after a lovely 80 degree day before that, it all sort of fit. I had a lot of fun changing how I do falling snow as well. I have done dots with the brush and a few other methods, but I think my favored one now is loading the brush with slightly watered down white, holding it about 6 inches from the surface, and then finger-flicking the brush with my other hand.

The first painting with the window is all flicked snow/stars, the cup is masking and flicking when I was undecided. Flicking it is, from here on out!

"The Window" 9x9 inches, watercolor and acrylic on 140lbs hot-pressed professional watercolor paper. Iridescent paint on moon and mirror/window frame. Available for purchase

"Fill It Up" 5x6 watercolor & acrylic on 140lbs hot-pressed professional watercolor paper.  Available for purchase.

Once I got those pieces done for the magazine, I needed to transition back over to my Alice painting (which is taking forever, and is entirely my own fault.) So, I did a quick (mostly quick) girl, another one for the "emotions" online open auction on facebook.

"Blue" 5x7 inches, watercolor & acrylic.Will be up for auction on Monday on Facebook at The Rabbit Hole Artist Collective

I was going with just black hair, but then it simply wasn't enough. So, I amped it up with blue and aqua highlights in iridescent paint, and it still wasn't enough. Finally I added the tattoos, and I liked it much better. One thing I really don't like about watercolors is that the skin features really wash out in a photograph. In person, it's a lot smoother and more even. The camera often picks up areas the eye simply doesn't see in reality and misses others. It's been very frustrating. At least it doesn't do that with acrylics and oils!

I haven't made much progress on my restructuring because we're still flailing about in the wind over whether we're moving or not. We've said yes to the offer, and yet it's been six weeks without any solid movement. I'm completely paralyzed personally and professionally, and that's been very difficult to work with. There has been some hope that we'll hear something on Monday, so I'm crossing my fingers. I can't exist in this stasis any longer.

I'm going to be focusing on my Queen, and trying to think about what my options are if I continue to be stuck. Making my current painting my priority will help, I hope!

Risky

Last night, my husband (in the interest of "helping out") decided to bypass all the recent tubs of leftovers in the refrigerator from this week, and eat from a container way in the back. The three-week-old container of leftover pot roast. Why was it in there? Because I want to throw it out on trash-day, since we're on a septic system, rather than have it rot in the garage garbage bin.

My husband - the rocket scientist - felt that if it was in the fridge, it must be fine. Never mind that it was so long ago that he didn't even remember me cooking the roast to begin with.

I didn't find out until it was too late. Now, I'm on gastric-deathwatch 2014. He drank beer and contemplated whiskey to "counteract" any ill effects, all while trying to blame me (as if.) In his words, "it didn't really smell and nothing was green," so he's pretty sure it was fine.

Oh, for the love of all the pink-toed cross-eyed bullfrogs! Are you kidding me?!!!

Did I mention today is his birthday?

So far, he seems fine. I read an article that in some cases food poisoning can show up two weeks later. Hopefully, if he made it through the night, it's fine. 

Aaaaaanyway...

I finished this piece for the open online auction in two weeks on the Rabbit Hole Artist Collective:

"You Reap What You Sow" 9x12 inches, watercolor & acrylic on 140lbs hot-pressed watercolor paper 

The prompt was "emotions" and I was feeling down, so I went with melancholy... and then  she got more and more resentful looking. Now, when I look at her, I see a more of "Just you wait, I'm going to get even" sort of look in her eyes. So, I think the emotion I ended up with is resentment! I think being a bit frustrated in real life is leaking through.

More evidence of that is this little piece I completed yesterday for the upcoming issue of Thrice Fiction Magazine:

"In The Dark" 4x4 inches, watercolor & acrylic on 140lbs hot-pressed watercolor paper

I keep the surreal and abstract works on my other page for just that purpose, but it doesn't have a lot of movement until an issue is upcoming and I get assignments. It's interesting because I was talking about these pieces with someone and I realize that I am a slow painter when it comes to my fairy tale work, but a fast one when it comes to the surreal and abstract. I wonder if that means something? 

I still love my fairy tales though!