Showing posts with label digital. Show all posts
Showing posts with label digital. Show all posts

Monday, June 16, 2014

Summer Break Is Here!

Happy Monday, and yay for my second on-time post! (I almost forgot, it's the first real day of summer vacation here for the kids, and my brain is all off schedule!)

I did a few more digital drawings, and I have decided the dragon and the bumblebee are permanent fixtures:



But then I got a request for a rabbit and a duckling. I started working, and got all messed up with a physical watercolor and had to walk away from it.



And then did this quickly:


I really, REALLY did NOT like how this bunny came out at all. So the next day I made it a mission to make a cuter bunny. I'm happy with the results:

I LOVE this one... I'll be making prints of this one


Isn't that SOOOOO much better? Also, I really love the moon and stars. I find daytime paintings tougher.

Then I took a couple days because I burned out. I also couldn't figure out what my bunny would fly off in, and that held things up too. I had originally envisioned a soup can, but then realized that would be far too small. Then I thought it would have to be a coffee can, but that would look stupid. And then I thought... popcorn!


Popcorn just works, doesn't it? So I plan on doing more with the popcorn balloon adventure, but it was Father's Day the next day, so I did this:



Which I also ended up loving. I didn't know how it would turn out, but it came out nicely. I am doing all of these large enough and in high enough resolutions that I can actually have prints made, and so I'm picking the best of the bunch and getting some made of those in a week or two. So far, I like this one, the bunny on the moon and two others I think. The rest? Eh, not so much.

Anyway, while I had fun doing these and I plan on doing more, I realize I have completely lost sight of my original intention to make these fast sketches so I can jump into the studio on my other work. Part of that is a natural obsessiveness that comes with learning something new - and learning how to work digitally is definitely new! Another part comes from just spending far too much time on what were supposed to have been fast sketches. These digital pieces took a whole working day in some cases, just like a traditional painting. When that happens, I don't have much time or energy left for the stuff I was actually supposed to have been getting to.

So, if I can't lighten it up? I don't know how I'll do a daily sketch or illustration. My thinking is that if I force it onto paper, I'll have to lighten it up. Paper that I can't paint on or use pastels or something effectively. Just pencil. Quick, cute, and to the point is what I need to do! I also think I need to get a sketch-day ahead of myself so I can post on time.

Anyway... I've been in digital land all week! This week, I have to go back to the basics because I have deadlines.

In other news, my children are home and already concerned about being bored. It's been... two hours since they would have been in school. This could be a long summer!

Monday, June 9, 2014

Going Digital... A little bit

Yay, my first on-time Monday post!

I started using my iPad to start off with the daily sketches goal. I'm alternating between ArtRage and ArtStudio, and I'm finding there are benefits to each. But I'm sticking more with ArtStudio. I have also found that I love layers. Layers always bothered me before, because as traditional artists we work with one surface and pile it on (in layers or not, but that's the way it works.) Digitally, if you do that it becomes like finishing a painting in one solid go without letting anything dry (which can get muddy.) Thus, layers is like letting the layers of paint dry so you don't mess them up! I suddenly LOVE layers! Plus, you can go back and add things later, and you certainly cannot do that in the real world!

Anyway, I think I finally hit on a good exercise for me to get my art brain cells up-n-at-'em! So, I'm definitely going to be shooting for a daily sketch. That being said, I'm casting about trying to figure out a character. I was leaning towards a griffin, but then I ended up with a dragon for my first one:

"Hanging"

I really like the way he came out, but I'm not certain that this is going to be my main little character. We'll see what develops of course...

Another dragon for the second, but different:

"Little Spring Shower"

I'm not too thrilled with the dragon in this one, but I love how the water all came out. It was SO easy to draw it, and I actually thought it was going to be trickier for some reason. I'm not sure why.

I'm noticing that everything is brighter on my iPad, but the finished image comes out darker online. I have this problem with my paintings too. I'll paint them so they're great under a light, but far too dark in normal lighting conditions. I was surprised to have this same problem in the digital world.

Third day:
"New Neighbor"

I fell in LOVE with the bumblebee. I don't know why, but I just love him. Maybe it's because they're outside in droves right now:
My lilac bush. Butterfly and Bumble hanging out.

So, I did another with a bumblebee!

I'm calling this one "...What?"

I think it's clear I'm doing a dragon character. But now, I know I'm definitely doing a bumblebee too!

I guess I need names for the two of them...

Anyway, for my first digital paintings/drawings, I think they came out pretty good! I think I'm going to switch to paper for a bit to see if I can't get myself to move faster. I've spent hours and hours on each of these, and the real intention was to really spend a maximum of up to two.  Ooops. But I learned a lot!

I hope everyone has a great week!

Wednesday, June 12, 2013

Hibbity-Hobbity

As an artist working in traditional (physical) media, and one old enough to remember a time when every household did NOT have a computer (and telephone cords long enough to knit a sweater out of), I've watched the emergence of digital art warily.

It's funny how the world changes, and we all need to adapt. I was thinking about several people I know of who are near their 100th birthday. These are people who existed in a time when everyone didn't have electricity or telephones. Technology brings with it amazing change to every aspect of our world, and this includes art.

Just think, those paints you use are pre-mixed. The paper, the canvas, other mediums - likely all machine produced with technological advances that didn't exist some time ago. It's very likely that artists of a couple hundred years ago would look at our pre-made tools and supplies and scoff "You're cheating!"

I mean, I haven't pounded any minerals to create a new paint color or chased down a squirrel for my paintbrush bristles lately, have you?

We're a digital world now. More and more, computers are integrating into our lives in ways we never even imagined. I've watched the art world morph from brushes to airbrushes (back in the late 80's and early 90's)... and boy was that a big to-do when that started happening. I remember people being upset with those who air brushed, questioning the use of frisket film and more. I remember an art teacher explaining how little skill it takes to point a spray nozzle verses holding a paint brush to create something. They were wrong, of course. It takes just as much skill to create with an air brush as it does with a paintbrush, just different flavors of skill.

It was art elitism. It was easy to see, and it was just about people fighting change. I remember shrugging and still asking for one for my birthday because I wanted to try it (I still have it too! My cheap air brush! It's a piece of junk, but I can't seem to bear to part with it!)

If I so easily saw the silly prejudice against airbrushing compared with traditional art, I now have to ask myself why I have been struggling with digital art so much. Because it's here, just like airbrushing was. We've gone from brush, to airbrush, to digital-brush  The game has changed, and there is something major going on. Major, and permanent.

I've been dancing around the idea of trying to learn how to digitally paint on a Cintiq (where you draw right onto the screen as you would paper, etc), but hesitant because there are so many things you don't have to do, processes and rules you don't have to observe with digital art. Heck, where's the risk? One slip with watercolor and your piece is ruined! But on digital? UNDO! It's freakin' brilliant! I want an undo button on my 140lbs hot-pressed block, please.

It looks like cheating, right?

But it's not.

I realized that I needed to break digital art out into different categories, and then take them or leave them. I realize that most of my frustration with digital art comes from those who take from others and simply embellish. For example, when you pull someone else's stock of a lovely woman, another stock of some butterflies and frogs, put pieces of them together and change a few colors or "treat" them with filters or what not... well, you may be creating the composition, but you're doing it heavily on the backs of other's work. It's far different from than having someone model for my work. I have to be honest, I don't respect that. There may be some cool images that result from it, but I would only respect it if you went out and created all those stock image pieces yourself (or a large portion of what the final result contains.) Anyone actually can put pieces of other people's work together and create something "new" and call it art. I think that's where I draw the line: can anyone do it? It's not art.

And maybe that is a shameful elitist attitude. Maybe this is the ugly side of art-me. But I realized that's what has bothered me about digital art for so long. It's not the artists who are drawing their own creations, it's the ones sticking pieces of other people's work together like a magazine collage we all created in elementary school that bothers me.

I realize that there are many areas to the art field now. You can work in photography, sculpture, painting, and more traditional types of work. You can also work in digital, and that has even more subcategories. You do not, and should not, work in them all. It's perfectly acceptable to work in one, and none are better than any of the others. A good thing to be consciously aware of.

The last thing I realized is that I don't have a hobby. I don't have any hobbies (except running/fitness. Can I call something a hobby if I half hate it, but do it anyway because I half like it too?) Art used to be a hobby when I was a child. It stayed that way until I slowly started showing, selling, and finally took the professional path. It's my career now.

But do you know what is the best thing about a hobby? There's no risk! You can play! You can make a mistake! You can even try something and find out you are absolutely awful at it!

I realize that just because I am professional artist, this does not mean that art cannot still be my hobby! I have an impossible time sitting down and just painting for fun. In the back of my mind is always "If this comes out right, I can add it to my shop's offerings." That's pressure. That's professional. As much as I love it, that's work.

But digital art... I'm interested. Now that they have devices that mimic traditional creation, right onto the screen, NOW I'm paying close attention. I want to try it. I've spent hours researching, asking questions, and looking at other's work. I want to... play.

I finally realized that I want a hobby, I think I may even need one, and this can be it! I can learn about digital art. Play. Create. And hey, I can even fail at it. If it's not my business, and it's just a hobby, what harm is there? I can't use business hours or business funds for it, it's got to run on my personal only. But why not? And if I am successful at it, there's nothing to say I cannot apply that to my business when I am ready!

So, I've decided to take up a new hobby. To learn when I can, to not stress over it, and to hopefully enrich myself as an artist. Of course, this is a long term kind of project. I have to figure out how to pay for it first (I even looked into part-time jobs that I could take on perhaps a temporary basis to pay for the Cintiq. Of which, there are none out here right now. Major drawback to living in the country, I suppose.) I haven't figured out how to get it all rolling just yet, but at least I have a start.

All in all, I'm pretty excited! All it took for me to chase after this was over a year of research, personal introspection and facing my own art attitudes, and a lot of waffling. Totally worth it. *wink*